The music which Johannes Brahms composed in memory of his mother is likely among the three most moving compositions known to me. Whatever the nature of his own beliefs, many have noted that unlike traditional requiems which offer prayers for the souls of the dead, Brahms’ German Requiem is more concerned with offering comfort to the living.
Musically, the requiem was a major milestone in Brahms’ career. And it would be the longest and most grandly scored piece he would ever write. More notable than its dimensions, however, is the way it engages with musical tradition.
His remark that “I would very gladly omit the ‘German’ as well, and simply put ‘of Mankind,’” suggests that he wished to offer his solace to all listeners, regardless of their own religious beliefs or backgrounds.
Few of Brahms’ works display their influences as openly as the German Requiem does; numerous passages clearly evoke the music of Schumann, Beethoven and Bach. At the same time, every measure is unmistakably Brahms.
Before he became a composer, Johannes Brahms was a pianist and a choir coach. Listen now and judge for yourselves that this composition was in fact a style setter for the future. At the core, this amazing work is a consolation for those who mourn a loss…
Here is conductor David Zinman to lead a performance of this great music:
