In response to a commission from Count Troyer, who wanted a work closely modelled on Beethoven’s famous Septet op.20, Franz Schubert struck out on his own by delivering an Octet of his own, too. It was composed in 1824.
While the enlarged number of players opened his path towards symphonic writing, examination of the form and expression reveals a much more accomplished and personal composition than has generally been recognized by commentators.
Isabelle Faust and her partners, excited by what is an exceptional work in every respect, offer us a new interpretation of it on period instruments.
Here for your enjoyment is the Octet by Franz Schubert:
