Beethoven held a particular fondness for the Piano Sonata in F-sharp major, regarding it as one of his finest compositions. He dedicated the work to his student, the Countess Thérèse von Brunswick, whom some scholars believe to be Beethoven’s enigmatic “Immortal Beloved.” Thus, the sonata is often referred to as “À Thérèse.”
A brief work, roughly ten minutes in length, the sonata comprises only two movements. The first opens with an Adagio introduction of a single melodic phrase before giving way to graceful sonata form movement. Presided over by a lyrical chief subject, the first movement maintains a certain dignity throughout its discourse, even in its more energetic sections.
The usual fire and strenuous development typical of Beethoven’s music is mostly absent. It does, however, return in small degree, along with the composer’s well-known jocularity, in the spirited finale.
The second and final movement opens with a genial tune which manages to possess some of the grace of the prior movement. It shifts suddenly between forte and piano dynamics, and between major and minor modes, creating a compelling ending to this brief, yet beloved, sonata.
Here is Boris Giltburg to play this music for you:
https://fb.watch/gtceI9eVBk/
