Tchaikovsky’s Symphony #6, The “Pathétique”, exhibits a moody darkness at almost every turn. The introduction is scored using the darkest of all orchestral colors, a bassoon in the low register accompanied by divided double basses. When the first theme finally appears, it is in the divided violas and cellos.
The famous second theme is presented by muted violins and cellos. This darkness and despair is contrasted by a ferocious development section which includes a short quote from the music of the Russian Orthodox Requiem Mass.
A simple waltz functions as a seemingly cheerful second movement. It is, however, written with five beats to the measure — in effect, a waltz with a missing beat every other measure.
The third movement is an energetic march, which functions as one last attempt to relive the joys of life before plunging into the despair of the finale.
The last movement is certainly Tchaikovsky’s most explicit expression of his personal torment.
The symphony, which the composer considered to be his finest work, was only politely received at its premiere on October 28, 1893. Nine days later, Tchaikovsky died.
Here conductor Valery Gergiev to lead you through this amazing music:
